{"id":691,"date":"2019-07-29T21:07:30","date_gmt":"2019-07-30T03:07:30","guid":{"rendered":"http:\/\/festivalcorporea.com\/?page_id=691"},"modified":"2019-07-31T13:05:05","modified_gmt":"2019-07-31T19:05:05","slug":"nicola-fornoni","status":"publish","type":"page","link":"https:\/\/festivalcorporea.com\/?page_id=691","title":{"rendered":"Overshoot Day"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Video Performance<\/h4>\n\n\n\n<h2 class=\"wp-block-heading\">Overshoot Day<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">OVERSHOOT DAY&nbsp;is a durational performance durated two hours.&nbsp;It talks about the end of globe&#8217;s resources throught an apocalyptic vision of body resistance.&nbsp;In the 2018 the video documentation takes part to Harvest Mind, an exhibition curated by Dagmar l. Glausnitzer-Smith at Salo Raume, Braunschweig (DE) and to Angst, curated by Action Hybride-Francesca Sand, La Capela, Paris (FR) <\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Nicola Fornoni   Overshoot Day DEF\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/Rm5KxMgZmnQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">I&#8217;M SITTING ON A CHAIR INTO A MARBLE QUARRY. ALONE, I TRY TO HOLD A GLASS ATTACHED TO MY LIPS WITH THE FORCES OF MUSCLES AND BREATH <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nicola Fornoni<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Video Performance Overshoot Day OVERSHOOT DAY&nbsp;is a durational performance durated two hours.&nbsp;It talks about the end of globe&#8217;s resources throught an apocalyptic vision of body resistance.&nbsp;In the 2018 the video documentation takes part to Harvest Mind, an exhibition curated by Dagmar l. Glausnitzer-Smith at Salo Raume, Braunschweig (DE) and to Angst, curated by Action Hybride-Francesca&hellip;<\/p>\n<p class=\"more-link\"><a href=\"https:\/\/festivalcorporea.com\/?page_id=691\" class=\"themebutton\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":728,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-691","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/festivalcorporea.com\/index.php?rest_route=\/wp\/v2\/pages\/691","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/festivalcorporea.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/festivalcorporea.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/festivalcorporea.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/festivalcorporea.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=691"}],"version-history":[{"count":10,"href":"https:\/\/festivalcorporea.com\/index.php?rest_route=\/wp\/v2\/pages\/691\/revisions"}],"predecessor-version":[{"id":880,"href":"https:\/\/festivalcorporea.com\/index.php?rest_route=\/wp\/v2\/pages\/691\/revisions\/880"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/festivalcorporea.com\/index.php?rest_route=\/wp\/v2\/media\/728"}],"wp:attachment":[{"href":"https:\/\/festivalcorporea.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=691"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}